This is a question I get a lot when I teach. The true definition of hue is colour. In a paint name, it means that it is the colour of that particular pigment, but it is achieved by using another pigment of similar hue. This can be because the original pigment is obsolete and needs… Continue reading What does “hue” mean in a paint name?
Have you ever wondered what essential colours you would choose if you were limited to 12? Jackson's Art Supplies have put together a watercolour tubes set of my 12 essential colours, the Sandrine Maugy set. It wasn't that straightforward because I use several brands... Most of them are Daniel Smith but 1 of them is… Continue reading My 12 essential colours in a paint set at Jackson’s Art Supplies
The first question that popped into my mind when I first saw Quinacridone Lilac was "Do we really need another Quinacridone sitting between the Quinacridone pinks and magentas?" The only way to find out was to try it, test it, mix it and compare it. I already have quite a few Quinacridones in my palette:… Continue reading Pigment spotlight: testing Daniel Smith Quinacridone Lilac
I cannot tell you how excited I was when I discovered that Winsor & Newton were releasing a range of Cadmium substitutes. I have long been in favour of ditching the Cadmiums for good. Their devastating environmental impact just isn't worth keeping them, especially with more modern pigments coming in all the time. For this… Continue reading Pigment spotlight:Cadmium-free Cadmiums by Winsor & Newton
Hello everyone, I already wrote about the difference between transparent and opaque colours in a blog post here. This time I am taking it one step further: why do transparent pigments sometimes make opaque paints? 1- Transparent/opaque To recap the previous post, transparent pigments let the light through their layer to hit the paper and… Continue reading Transparent vs. opaque and why transparent pigments can turn into opaque paints