Just before I set off to West Dean College to teach a residential course on Autumn Colours, here is an oak leaf watercolour tutorial. The base colour is Nickel Azo Yellow (Daniel Smith), a beautiful golden, slightly muted yellow that is perfect for autumn foliage. Here is an affiliate link if you want to have… Continue reading Autumn Oak Leaf video and PDF tutorials
Going on with my autumnal streak, here are twelve colours I am playing with this year. The foliage colours are not as bright as we know they can be, because the trees got too hot and too dry for a long periods of time and they're a bit stressed up as a result. Their leaves… Continue reading Autumn 2020 Palette
Are you struggling with your green mixes? Here is a simple trick to get a range of greens from a single tube, adding only three primary colours that will already be in your painting, reducing the risk of mixing muddy colours. If you are using my Harmonic Shadows method, you already have one of each… Continue reading Mixing all your greens from one tube – One simple trick
This is a question I get a lot when I teach. The true definition of hue is colour. In a paint name, it means that it is the colour of that particular pigment, but it is achieved by using another pigment of similar hue. This can be because the original pigment is obsolete and needs… Continue reading What does “hue” mean in a paint name?
Hello everyone, I already wrote about the difference between transparent and opaque colours in a blog post here. This time I am taking it one step further: why do transparent pigments sometimes make opaque paints? 1- Transparent/opaque To recap the previous post, transparent pigments let the light through their layer to hit the paper and… Continue reading Transparent vs. opaque and why transparent pigments can turn into opaque paints