I have an article on masking fluid coming up in the summer issue of Artists & Illustrators magazine. The article is about tips for using fluid in the best ways and I made a video to go with it. I tested 10 different brands of masking fluid live, warts and all, with surprises good and bad.
This is the full version (just over 1/2 hour) but I am also preparing an abridged version. I will let you know when it’s up.
The Artists & Illustrators Magazine May issue is out!
I have another article in there, and this time it’s not about botanical art: it’s called “The Ethical Artist” and it’s about looking at where our art materials come from and what they are made off.
I did quite a bit of research and got in touch with lots of manufacturers, who were all forthcoming with their info, so there will be more blog posts about the results. For example, I tested a dozen different synthetic brushes (not being a fan of sable fur farms…) and found some treasures I need to tell you about.
In the meanwhile, I hope you enjoy the A&I article… Here is the first page.
Artists & Illustrators Magazine is 30 years old… Happy birthday!
To celebrate this anniversary edition, they are publishing 30 painting challenges in their October issue, which is out now.
I am so pleased to be part of the celebrations, having written 3 of these 30 challenges: painting a botanical quince (number 1), painting a field study of a Japanese Anemone (number 5) and painting an autumn leaf (number 26).
I remember writing my first piece for A&I magazine, in 2005. We were just minutes away from jumping into the car to catch a ferry to France for Christmas when Mr Flora’s Patch answered the phone. He said “It’s Artists & Illustrators Magazine for you…” It was completely out of the blue and I thought it was about my subscription, so I replied “We don’t have time, tell them I’ll phone them when we come back. “ But he wasn’t sure: “I don’t think it’s about a subscription…”
So I took the phone and was surprised to find out it was the editor himself. You would think that a big magazine like that would have someone to deal with subscriptions… But it wasn’t about that. Somebody had pulled out at the last minute and he wanted to know if I would be interested in writing a piece about botanical painting. The catch was that I had only one week before the deadline. So I ended up taking my paintbox to France with me and spent my Christmas holiday painting and writing between bites of Brussels sprouts and mouthfuls of chocolate bûche. A few days after sending in my article I received another phone call from the editor asking, “Did you enjoy doing this? Because I would like you to write more for us…” Since then I have written more than 50 articles and I have worked with 4 successive editors: the original contact was with John, then Lynne, then Steve and now Katie. Painting and writing are two big passions of mine so this is pretty much my idea of a perfect job.
I hope that you enjoy the 30th edition of this great magazine and good luck with the challenges!