Another sunny day in the UK, filled with the smell of Rosa ‘Jasmina’ as she gently sways in the breeze, giving off waves of warm rose perfume. She really is a spectacular rose.
The baby sparrows have started their yearly invasion. They are so less reasonable than their parents. For a few weeks they will entertain us with their antics, flying like bricks across the garden and landing on totally inappropriate perches, not yet aware of what can or cannot support their fluffy weight. They land on slender stems and go right down to the ground, not light enough to stay up but not heavy enough to break anything. They take off again as if bouncing on a trampoline, disorientated but not scared enough to sit still for even a minute. It is unimaginable that these tiny throats only a few millimetres long can produce such a racket. The parents follow with beaks full of seeds and flappings full of disapproval.
I posted another masking fluid video on YouTube, a shorter version of the tests I filmed earlier. In this abridged version (only about 5 minutes), I focused on the results rather than the process, marking the 10 brands on a series of criteria such as fluidity, ease of application and removal, colour, damage to the paper, precision of the unmasked marks, etc. The video is not exactly what you’re expecting. It kind of turned into something else as I was filming. The masking fluid tests results are definitely in there but they’re not alone… I had a lot of fun filming this. The longer version was 36 minutes long and entirely serious. I couldn’t take any more seriousness. The baby sparrows must be rubbing off on me.
I have an article on masking fluid coming up in the summer issue of Artists & Illustrators magazine. The article is about tips for using fluid in the best ways and I made a video to go with it. I tested 10 different brands of masking fluid live, warts and all, with surprises good and bad.
This is the full version (just over 1/2 hour) but I am also preparing an abridged version. I will let you know when it’s up.
This is it… we knew this moment would come but it still makes me sad. Quinacridone Gold, the real Quinacridone Gold PO49, is now completely gone…
When the pigment manufacturer stopped production in 2001, they offered Daniel Smith (who were the first manufacturer to use Quinacridones in their paints) the opportunity to buy all their remaining stocks. Of course, Daniel Smith gleefully pounced on the barrels of powdered gold without asking too many questions. They inherited warehouses full of the valuable dust. By 2005, all the other paint manufacturers had to reformulate and find substitutes, while Daniel Smith proudly paraded their exclusive pure colour.
They had to run out eventually. Now it is their turn to reformulate and find an alternative with the same purity and glow, trying to convince frowning artists that the new formulation is just as good and probably better. Impossible task. As a single pigment, Quinacridone Gold had a level of clarity and saturation that is impossible to replicate by mixing several pigments.
Honestly, I think that they mishandled their highly advantageous position all these years ago. They could have kept the almost extinct, precious pigment exclusively for their Quinacridone Gold paint. Instead they used it in other mixes such as Sap Green, which frankly could be made of anything. What a waste of those last drops of elixir…
If you are lucky enough to have a local art shop selling DS paints, a sneaky rummage through their Quinacridone Gold tubes is worth your while. You might yet find some treasure.
And how about these rumours that a Chinese pigment manufacturer is producing PO49 again? I’ll keep an eye on that and hope for a resurrection… but so far I haven’t found any trustworthy source that this is a real thing.